The holiday season means gatherings, food and cheer. But it also means allowing ourselves to be “corny” (dictionary definition: predictable, clichéd, stereotyped). We see cars with antlers affixed to their hoods. People wearing santa or elf hats or bright and loud Christmas sweaters. Singing out loud to Ella or Bing, or even the undeniably grating “I Want a Hippopotamus for Christmas”. CORNY.
But starting last year, my family kicked it up a notch further during the holiday season. My daughter Sophia discovered the delirious corn-fest that is the Christmas Romance movie season (much of which can be found on the Hallmark channel ). It started innocently with The 12 Dates of Christmas: “Mom. You’ve GOT to watch this one”. We watched together (it is a fun holiday romance version of Groundhog Day) and had so much fun that one led to another and so on. And this year, the entire family has gotten into the act including husband Pat and 12 year old Theo. There is a lot of talking to the screen and eye rolling at the contrivances,and ultimately, a lot of corny enjoyment.
If you have not yet had the pleasure of seeing one of these Christmas romances, I will try to summarize for you. The basic plot of most of the movies is that the protagonist (often a hard-charging young career woman) has “forgotten the true meaning of Christmas” and through some plot twists and turns, has a “come to Jesus” moment (see what I did there? Christmas? Baby Jesus?) and turns his/her life around.
Some of the typical tried and true Christmas romance plot devices:
- Having to spend Christmas in a small town filled with endearing characters. Typically these are delightful Midwestern villages that are contrasted with the heroine’s stark and empty life on one of the coasts. Kind of like Eva Gabor’s character in Green Acres, the heroine is initially a fish out of water, but the love and values of the small town grow on her as she spends the holidays there!
- The hunky guy. In some of the variations, he lives in a small town, but don’t think he is some bumpkin! He is smart but laid back (sometimes having left a high power career behind), has some cool business (an inn perhaps) and helps the heroine to see the true meaning of Christmas. In some of these variations, the hunky guy contrasts with the guy the heroine is currently with–the WRONG guy, usually a fiancée who is inattentive, unsupportive and (GASP) not as cute or charming as the hunky guy. In other variations, the hunky guy IS the hard charger and the spunky heroine has to teach HIM the true meaning of Christmas (see Looks Like Christmas).
- The elevator kiss. This is a classic, often used in the city versions of Christmas romances. The heroine and hunky guy (whom she may not have even met yet) are in an elevator together. The elevator jerks to a sudden stop which of COURSE throws them together, which of COURSE means they have to start making out. Elevator resumes functioning and the two of them find themselves smoothing out their clothes and hair, and then, thinking about THAT KISS for the rest of the movie. For the uninitiated, The Christmas Kiss is THE gateway elevator kiss movie.
- If there is no elevator around to change someone’s life, a couple of other variations for “life changers” are: Santa or an angel granting a wish (like in Christmas at Cartwright’s), inheriting a time-consuming but ultimately wonderful family business (like in Christmas Land) or being knocked out (as a doctor, this is probably my least favorite plot twist because the reality of concussions is not usually so pretty).
- The villainess. Often the boss of the heroine who is beautiful, smart and successful but brittle and superficial. A real Cruella (and unreformed hard charger), she even often steals or takes credit for the heroine’s hard work (e.g. plagiarizing her design sketches in A Christmas Kiss!). In some of the variations, the villainess is the girlfriend of the hunky guy. But after one elevator kiss with the heroine, the hunky guy starts to shift alliances!
- The true meaning of Christmas. This is often the third main character in these movies. Likely for the broadest of appeal, “the reason for the season” (birth of Jesus) is rarely spoken of in these movies, so there tends to be a humanist message of love and family, e.g. people are more important than things, life is meaningless without loved ones to share it with and that taking time to celebrate with loved ones enriches our lives.
If all of this sounds very retro, it IS! These movies are often kind of mash ups—Scrooge meets Working Girl. As a life-long hard charger and feminist, what is funny is how much I enjoy them along with my feminist daughter.
Perhaps this is because, family is so important to us and we DO live in the Midwest. But more likely it is because it allows us some time to be corny and just suspend disbelief (and believe me, you need to do so with some of these plots) and escape from the day’s stressors.
It also been funny to see the progression of my engineer husband, who typically is more into science fiction, as he has blossomed from irritation to enjoyment to addiction. Last night for example, as he came in 10 minutes into “A December Bride”, he plopped down on the couch next to me and said, “Fill me in, what do we have here?”. And I got him up to speed quickly (“Hard charger. Left at the altar by her fiancée for her cousin who are now getting married. Now pouring herself into her job. Has to fake a new relationship so she can hold her head up high at the wedding. Meets new hunky guy…..”).
What can I say? It’s the best corniest time of the year!! Happy Holidays!